So I’m here nearing the end of my day. Waiting for an e-mail from guy-i’ve-never-seen-but-is-somewhere-in-this-building so I can finish up and drive home.I woke up late, so I drove in to work.
Technology being what it is, my mini-magic-music-box failed to charge last night. Purchased music for the first time in eons last night, loaded it all onto the mmmb… and it failed to charge. Why I didn’t bring the cds I had just purchased with me to the car, I don’t know. Starting the car up brought on the realization that I had left them, just sitting on my coffee table, wanting to be part of the laser light show about to start inside the cd deck. They knew what they were missing. I did not. I still don’t, actually, since I haven’t listened to them.
Either way, I had a few options on this frigid morning. The Who by Numbers, Sister Hazel, or Phish Live at MSG, NYE 1995.
In dove Phish. A mediocre, keys-heavy mix, its not the best. Give me the trey-chunk, bass heavy, thick, syrupy Phish. This ain’t it.
That got me thinking… they record every show. They offer every show through [Live Phish]. Yes, there is, in fact, an app for that. Phish may be a unique case given the fan base, their history, blah blah blah. I bet they pay next to nothing to sell those recordings - recording straight from the soundboard, hosting a file, posting it somewhere, and boom. A new, live, double, or in some cases triple, album can be produced a couple times a WEEK!
There is something to be said for this kind of thing. People want to have a record of what they experienced. My generation takes millions of pictures, which in some, way, shape, or form will float around indefinitely. People want it.
The whole instant-live idea took off at shows, with people wanting to have the recording to remember a good time, a fun, live set. Why don’t more bands offer this? Gov’t Mule does something very similar… a few others most people would probably lump into the jam-band genre…
I look for shows I’ve been to on livearchive.org for months after I go. If I could grab a recording of shows I go to relatively soon after, I’d drop a helluva lot more cash of music… and in this case, the vast majority of it goes straight to the artist.
At least I think thats how it works.